Faculty
Director of Recording Arts:
Mark C. Erickson
Faculty:
Billy Henry
If you have watched TV in the last 15 years you have heard Billy’s work. You might have muted it, but you have probably heard it. Putting his 1992 BM degree from Texas State University to good use, Billy Henry has been playing, singing, writing and recording music for a plethora of genres and mediums including two movie scores, many commercials and dozens of scores and sound design for plays. For the past eight years he has worked for a ‘music house’ writing, producing, playing, recording and mixing music for numerous clients, including: AT&T, Chili’s, Southwest Airlines, American Airlines, Lone Star, Miller, Budweiser, BMW, Sonic, Whataburger, Schlotzsky’s, Mr. Gatti’s, McDonalds, Time Warner, Rolling Stone Magazine, The University of Texas, The Houston Rockets. The music he has written and performed on some of these commercials has won multiple ADDY awards through the years. His latest work can be heard on the Texas Tourism website and commercials. He is glad he can be a part of the Texas State faculty and pass on some of his experience to his students.
Lecturers:
David Boyle
David Eaton
Marty Lester
Stuart Sullivan
Faculty Emeritus:
Robert ( Bobby ) Arnold
Working in Willie Nelson’s private studio throughout the 80’s afforded Bobby the opportunity to record some of the biggest stars of the time: Willie, Merle Haggard, Ray Charles, Neil Young, Julio Iglesias, Dolly Parton, Emily Lou Harris, and Aerosmith to name just a few. As well he worked with some of the finest record producers, engineers, and studio musicians in the world.
Bobby later freelanced in the Austin area as an engineer at both Arlyn and Bee Creek studios, working on releases for Jr. Brown, Rich Minus, Calvin Russell, Bobby Mack, Lucinda Williams, and many others.
In 1993, Bobby was hired as chief engineer for the Fire Station Recording Studios. This afforded Bobby the opportunity to both assist in the development and implementation of the recording program at Texas State University, as well as build a client base for the recording program’s commercial facility. At the Fire Station, Bobby continued to record many Texas-based talents.
Bobby was also the rhythm guitar player for the Lucky Tomblin Band from 2001-2013, playing authentic country music in dance halls and concert arenas throughout Texas, the United States, Canada, and France.
Chris Bell
Chris honed his skills on tape machines and analog mixing desks working on recordings like Erykah Badu’s “Mammas Gun”. His discography includes The Eagles number 1 record “Long Road Out of Eden”, Don Henley’s number 1 record “Cass County” as well as Brian Blade and The Fellowships Grammy nominated record “Landmarks”, Luther Dickinson’s Grammy nominated “Blues and Ballads”, Kenny Wayne Shepherd, and many others. Chris was nominated for a Grammy award in 1998 for “Best Engineered Album, Non-Classical as well as working on several Grammy winning projects.
All Music Credits: https://www.allmusic.com/artist/chris-bell-mn0002251312
Gary Hickinbotham
Gary got his first high-quality stereo tape recorder at the age of 14, inspired after a visit to the Columbia Records recording studio located in Washington, DC..
Once in Texas, he became involved in the local recording scene. Because of his combination of recording, construction and musical background he was asked to participate in the construction of the Fire Station Studios in San Marcos, just south of Austin. He was asked to stay on by chief engineer Richard Mullen after the studio was completed and so became the second engineer, working with Stevie Ray Vaughn and Eric Johnson. When Richard left after a year Gary was promoted to chief engineer.
He was able to record many artists of national stature and worked with many producers and engineers from major labels. One of the recordings he made, the Texas Tornados, won a Grammy. Two other albums, one by Doug Sahm and one by Tish Hinojosa (which Gary co-produced), each won Indies and much critical acclaim. His discography includes Townes van Zandt, Jerry Lee Lewis, John Hiatt, J.D. Souther, Gary P. Nunn, Jerry Jeff Walker and many others.
He authored the article on the history of the recording industry in Texas for the Handbook of Texas Music published by the Texas State Historical Association in conjunction with the Center for Texas Music History. He has also written articles for The Journal of Texas Music History.